








x Black.
The top and bottom square inserts are stamped in Versalolour Cardinal - I find this to be the reddest red with no pink undertones.
The sentiment is also Papertrey - needed to choose the right size to fit inside the middle square.
The filling in of the squares and the roundels is worked in Dr Phil Martin's Spectralite Liquid Acrylic 18 carat gold 'ink' with a pointed pen nib (the sort one uses for copperplate calligraphy). In reality it gives a lovely sheen but this may not be visible on screen.
To me the card then looked too bare, even for LIM, so I drew on lines in the red and black. I hope it fits the bill for the challenge this week.









This was a gift to a neighbour - this and the last card (the alium one) were embroidered on heavy (140gsm) watercolour paper....just beginning to get into this and love it....first of all I 'spattered' goache artist paint to represent some of the background blossom....it is not as simple as it looks. I had to practice this many times to get it sort of right.
Then I went in and embroidered even more knots and beads to represent clusters of blossoms.....it was all about cherry trees you see, although the poem is about any tree.....our avenue is lined with them and they are about to burst forth....it was framed in a gold frame with a little gold slip to raise the glass above the beading etc....I was pleased with it. Didn't photograph it framed as glass is a pain (or pane?) to get right.



Here are two cards - one very elaborate one...fabric from Naturaleigh - you can see I am very fond of french knots...even the lady's posy is not forgotten. This card was A4 size....with a box decorated with more fabric and a shabby chic rose....money was no object I was told!
The other card was first stamped with a stamp from Papertrey (U.S. stamps to die for mostly) and even more french knots with a pearl for the centre.


This is a woodland scene with bluebells....worked on painted calico...zig zag and straight stitches. Took forever to do given all the thread changes on the machine (just an ordinary machine). It also hangs unglazed and gets the hoover pointed at it too....the mount is fine hessian which just looks as good as the day it was hung. It hangs on a wall which gets no sun whatsoever and the colours have remained true because of that.



Best wishes to all.
Joyce


s a mark of respect. This was our candle...and I had a poppy as well attached to it.





